Dematerialization Near the Nose of Nero, while a good example of Dalí's "nuclear mystical" period, also evinces a more Classical style. With typical irony, Dalí wrote that "the two worst things that can happen to an ex-Surrealist today are, firstly, to become a mystic and secondly, to know how to draw. Both these forms of vigour have lately befallen me at one and the same time".
Against an Ampordan plain, a huge pomegranate has been spliced, like an atom, into two parts. Seeds spill out from the pomegranate, floating in the air between the two halves. A bust of Nero hovers above the dissected cube that houses the pomegranate. The bust itself has split into four parts, (or alternatively, the four parts are coming together to form a whole). Dalí's use of a Classical theme such as Nero is emphasized by the Classical architecture that hangs over Nero's head. However, it is not just the content that marks this painting's Classical style; the brushwork is meticulous, the depiction realistic and the balance within it also evokes the Classical style, while being at the same time Dalí's interpretation of atomic force.